Kids who could barely put their shoes on the right feet none the less trained their sixth sense with Lee’s mysterious “be like water” philosophy running through their heads. There was no end to the self-inflicted wounds. Duly accompanied by flapping hands and whimpering sounds, homemade nunchuks appeared. A schoolbag to the head noticeably gave way to silent aerial attacks from behind lockers and in schoolyards across the country.Īttempted swivel kicks to the throat rocketed. Lee’s feline movement and fighting style, which became known as the “way of the intercepting fist”, also found a sobering path into the corridors of every Irish school. A martial arts western drama starring David Carradine, a white man in yellow face, it ran from 1972 to 1975 and in 1973 drew an audience of 28 million, becoming the number one US show.
#Watch bruce lee enter the dragon free series#
But with no tapping out.Īll of the films seemed to arrive at about the same time as the US television series Kung Fu was airing.
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The Big Boss (1971), Fist of Fury (1972), which was replete with anti-Japanese tropes, Way of the Dragon (1972) and Enter The Dragon (1973) brought Irish teenagers not just a brand new dangerous martial art, but magnetic Lee, a cage fighter before there was MMA. Kung fu hit Ireland in the 1970s with four films in which Lee played the lead role. It was as much his shrieks and yowls during the fight sequences, his awesome bouts of orchestral knuckle-cracking, his Houdini-esque penchant for wriggling out of a shirt and his sinewy torso that could inflate to double its size while remaining pinched at the waist that made an unknown San Francisco-born Chinese-American actor into an enduring figure. In a career crosscut by occasional nunchuck domination scenes, where two short batons linked by chain are whipped out from deep within his kung fu kick pants, Lee was a badass stylist famously too fast for the cameras to catch. When Lee unbuttoned his black tunic to stand idiosyncratically twitching and striking poses you knew a bust-out was imminent. A lot of the footage was solely to bookend his transformative fight scenes. It was the last film Lee completed and like all the movies he ever shot, it was all about him.
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Reimagining the martial arts, Lee brought the western world probably the best kung fu yarn ever made in Enter The Dragon. But for Shaolin temple ass-whoopage, Bruce Lee’s films were off the charts.īruce Lee, with his screen presence and exquisite movement, was like nobody else. The romantic interest for the lead man was zero and the dialogue poor to excruciating. Generally, the plotlines were weak and character development non-existent.